American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. With Varduhi Abrahamyan, Piotr Beczala, Rosa Feola, Quinn Kelsey. Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. by Stephi Wild Oct. 25, 2022. Quinn Kelsey (Rigoletto), Rosa Feola as Gilda), Ensemble Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena) Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena), Piotr Beczaa (Duke of Mantua), Rosa Feola (Gilda), Quinn Kelsey (Rigoletto) Quinn Kelsey (Rigoletto), Rosa Feola (Gilda) Performance reviews Rigoletto After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. Ella mi fu rapita is the tenors big moment, not only vocally, but also dramatically, allowing for a moment of potential contrast and depth. Production a gift of C. Graham Berwind, III Director, Spring Point Partners, LLC; Gramma Fisher Foundation, Marshalltown, Iowa; and Mr. and Mrs. Paul Montrone. The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. American conductor Karen Kamensek is currently leading Philip Glass's Akhnaten at the Met, the production she made her company debut with in 2019. It took but a moment before she was rushing away down the stairs. It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. and bright color palettes that have served him best in Rossini comedies at the Met are also on display. David holds a Masters in Media Management from Fordham University. This season at the Met, she also sings Olga in Eugene Onegin. Visit Website. I've never heard a Gilda so convincingly sound like she is at death's door. {{::date | momentFormat:'D'}}{{$last ? '' stage director See also Met Opera | December 17, 2022. The baritone Quinn . The Age - Thu, 31 Oct 2019 . It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. Jen has worked at KPBS since 2000. Despite serious initial problems, the opera had a triumphant . Written during the most fertile period of Verdis artistic life, the opera resonates with a universality that is frequently called Shakespearean. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. The HD broadcasts are supported by Toll Brothers, America's luxury home builder. GREAT PERFORMANCES AT THE MET is produced by the Metropolitan Opera in association with PBS and The WNET Group, bringing the best of the Metropolitan Opera into the homes of opera fans across the country. That Kelsey matched her phrasing only added to the impact of this glorious moment. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. The final duet was magnetic not only for Feolas interpretation but Kelseys pained pleas of Non morire, mio tesoro, pietade! Roger Hodgman, 53, is director of the Melbourne Theatre Company. When Giovanna opened the door for her, she rushed out with tremendous excitement and you could feel the relief as she stepped outside into freedom, her arms spread wide to receive it; it was a truly visceral moment to behold. 24, 2022 Karen Kamensek will conduct the May and June. Opera in the Park; Don Giovanni (Mozart) . The aria proper was one expansive legato line that commenced with utmost softeness and tenderness, each successive peak and valley featuring fluid crescendoes and diminuendoes, each one ramping up the intensity toward the climactic high B flat near the end of the aria, where the tenor let loose with everything he had. Giuseppe Verdi's ever-popular masterpiece returns for a performance starring Lisette Oropesa, Aigul Akhmetshina, Stephen Costello, and Luca Salsi in . GREAT PERFORMANCES AT THE MET: Rigoletto Preview, "Cortigiani, vil razza dannata" from "Rigoletto", Piotr Beczaa Performs "La donna mobile". If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. This season, he begins his tenure as the principal guest conductor at the Bavarian State Opera. A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi. She displayed an elegant legato line in her Quanto affetto, her voice crescendoing as the line rose to first a G natural and then a high B flat a few bars later. Videos. He has been nominated for 13 Tony Awardswinning in 2008 for South Pacific and 1998 for The Lion Kingin a career featuring more than 50 productions on Broadway. He punctuated the duet with an incredibly potent low F that he sustained while walking off stage all the way through the coda of the passage. Lisette has given 68 performances as Gilda. Rigoletto opens on November 10, with Rosa Feola and Lisette Oropesa sharing the role of Gilda, Aigul Akhmetshina as Maddalena, Benjamin Bernheim and Stephen Costello as the Duke of Mantua, and Quinn Kelsey, Michael Chioldi, and Luca Salsi as Rigoletto. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. She also conducted the Met's original cast album of Akhnaten, which won the 2022 Grammy Award for Best Opera Recording. She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. Pretty but Pointless. The rest of her range is solid and she navigates the registers fluidly, though there were moments where the shifts into the higher range were not quite as polished and she sounded a bit stretched. Revivals of operatic warhorses like Verdi's Rigoletto can be hit or miss at an opera house the size of the Metropolitan Opera. The strength of the cast extended all the way to the smaller roles, with Bradley Garvin, terrifying and commanding as Monterone, and Brittany Renee, displaying a megawatt charisma as Countess Ceprano, as the standouts. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! Marullo, signore, tu chhai lalma gentil come il core retained some of the edge and accents, with the final ohime of the section sounding bitter, almost as if Rigoletto were disgusted at having to plead with these vil razza for help. Last night's affair proved this entirely wrong no fewer than three Met debutants galvanized this performance into one of the best performances ofRigoletto I've heard in years. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. In the final Act, Feola drove the quartet dramatically. His role in Italys cultural and political development has made him an icon in his native country. January 18, 2022. Victorian Opera announces cast for The Who's Tommy. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. There was a gentle quality to Ah, veglia, o donna, questo fiore, but his scrambling about the place expressed his fear and worry, which was slowly assuaged by Feolas loving presence. And in this case, there is nothing confusing about the Act three trio, which is as straightforward as Rigoletto gets both musically and dramatically (there is nothing subtle about a murder performed with a ghostly choral accompaniment and underscored by an orchestral thunderstorm). As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. But most of the night, and especially in these fast sections, the weight in the lower strings was completely inaudible (please note that I was in the orchestra section and that might have had something to do with that experience). Karel Mark Chichon conducts. He responded to Cepranos Chhai di nuovo, buffon? with a perfect, angry imitation, placing a very strong accent on buffon and then adding a sarcastic quality to pi noioso voi siete. The ensuing La r grew more connected, adding a sense of desperation and yearning, each subsequent one sounding more like a man in pain. During the most fertile period of Verdis artistic life, the Opera had a triumphant made an. The Met 's original cast album of Akhnaten, which won the 2022 Grammy for. 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